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Coated

Coating applies a thin film, such as a metal oxide, polymer or diamond film, to the gem surface. Coating alters colour, lustre or appearance, or increases durability. Coated material must be disclosed.

On this page

Naming rule

Naming rule
Coated [material name] ([coating material])
Market differences and mutual recognition
GB/T 16552 is the only text here that lets some coatings through as an optimization: a colourless protective film on an organic gem, provided it is annotated. A coloured film, or any film on a mineral gem or jade, is a treatment. In the CIBJO Gemstone Book 2022, lacquering, enamelling, inking and foiling all fall under the one description “Coated”.

Gem treatments compares how every treatment on this site is named and what each must disclose.

Where the treatment acts (schematic)

Applies a thin film to the gem surface (metal oxide, polymer, diamond film etc.) to alter colour, lustre or appearance, or to increase durability.

BeforeThe starting materialhere is a facetedcolourless topaz.DuringA thin coloured film isdeposited on thesurface of the stone.AfterThe colour sits only ina thin film on thesurface, withcolourless topazbeneath it.Treated zone (shownhere aspavilion-only): asurface film,colourless beneathSchematic cross-sections through the stone, not to scaleBeforeThe starting material here is a facetedcolourless topaz.DuringA thin coloured film is deposited on thesurface of the stone.AfterThe colour sits only in a thin film onthe surface, with colourless topazbeneath it.Treated zone (shown here aspavilion-only): a surface film,colourless beneathSchematic cross-sections through the stone, not to scale
  • Colourless topaz (cross-section)
  • Coating apparatus (schematic)
  • Coating material (from the source to the stone)
  • Pink film
Coating, shown on pink coated topaz: before, during and after in three panels, then the process, the mechanism and the identification clues scene by scene. Schematic, not to scale; the captions come from the research record registered on this site.

If you reuse this animation, please credit LumaLark Wiki and link to this pageLicense: CC BY 4.0

Scene-by-scene transcript (4 scenes, with sources)

The caption of each scene in the animation above (the first scene lists its three panel captions), with sources.

  1. Scene 1Coating (pink coated topaz as the example)

    Before: The starting material here is a faceted colourless topaz.

    During: A thin coloured film is deposited on the surface of the stone.

    After: The colour sits only in a thin film on the surface, with colourless topaz beneath it.

    Treated zone (shown here as pavilion-only): a surface film, colourless beneath

    Sources
  2. Scene 2Process conditions

    A thin coloured film is deposited on the surface of the stone. Coating methods include chemical vapour deposition, physical vapour deposition and sputtering; the pink, orange and red material GIA examined in 1998 appeared to have been sputter-coated, and in the pink sample of a 2008 study the colour came from gold embedded in a silica (SiO₂) film. Some coatings, especially pink ones, were applied only to the pavilion.

    Sources
  3. Scene 3How it works

    In this example the colouring components sit in the film: the colour is produced by the coating itself, not by changing the composition of the topaz. In the paper's general description of coating, the film meets the stone at a narrow interface and the two hardly intermix; the pink sample measured showed no appreciable interdiffusion. The abrupt change in refractive index between film and stone causes angle-dependent interference in visible light (400–700 nm), which may give the stone an artificial look, so the colour seen also depends on the film structure and viewing conditions. The pink sample in the 2008 study showed angle-dependent reflection to the unaided eye.

    Sources
  4. Scene 4After treatment and how it is detected

    The colour sits only in a thin film on the surface, with colourless topaz beneath it. In the pink sample of the 2008 study, a gold-bearing silica layer lay about 200 nm deep, the composition changed to topaz at about 350 nm, and from about 400 nm down it was pure colourless topaz (depth calibration uncertain by about 20%); no appreciable diffusion was found between film and stone.

    Durability differs from film to film and depends on the film's composition. The pink surface film GIA examined in 1998 scratched off easily with a pin, whole parcels of the red material at the Tucson show had obvious paper wear on the facet junctions, and under magnification the surface colour looked spotty. CIBJO warns that solvents, heat or abrasives can often strip a coating, and advises against recutting or repolishing a coated stone. Where a stone is measured matters too: in some titanium-bearing, pavilion-only coated topaz examined by AGTA in 2006, EDXRF from the table detected only topaz, and the coating showed up by its high titanium content only when measured from the side. X-ray photoelectron spectroscopy (XPS) depth profiling shows a sharp compositional step between film and stone, which separates coating from diffusion.

    Sources

How the naming authorities record it

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ColumnValue
DescriptionApplies a thin film to the gem surface (metal oxide, polymer, diamond film etc.) to alter colour, lustre or appearance, or to increase durability.
GIA codeC
LMHC number / noteC (CIBJO Gemstone Book 2022 Annex B, clause 7.2: Coating); LMHC has no matching Information Sheet
GB/T categoryGB/T 16552-2017 §5.4.1 Table 1: coating has two tiers - a colourless film on the surface of a natural organic gem is optimization (annotation required); a colourless or coloured film on a natural gemstone or jade is treatment. Representation method: optimization at §5.4.2.1, treatment at §5.4.2.2 (see Table 1).
CIBJO disclosure requirementCIBJO Gemstone Book 2022 §5.14 defines Coating. CIBJO Gemstone Book 2022 §4.2.5.2 sets out the disclosure method (trade code C per Annex B, clause 7.2).
FTC regulatory citation§23.24 general rule: disclosure is required if the treatment is not permanent (a), creates special care requirements (b), or has a significant effect on value (c). §23.24 names no individual treatment, so Part 23 does not say which of (a)–(c) coating meets.
RAL / German declarationNo public source text: RAL 560 A5 is a paid document not on file on this site, so no RAL/DGemG wording is shown (unchecked)
JJA/AGL (Japan) treatment disclosureJJA/AGL 2025 §1-2-1 lists coating (item ⑨) among the treatments applied to natural stones; §2-1-1: the treatment is to be stated to the extent it can be known.
AGTA codeC — surface enhancements such as lacquering, enameling, inking, foiling or sputtered films (GIM 17th ed., p.V). Consumer disclosure must be in plain language; codes alone are not sufficient (p.III).
Gem-A positionThe Gem-A By-Laws have no coating-specific rule. §7.e.iii: before purchase the buyer should be told if the stone is known to have been treated and, where relevant, how that may affect its durability; §7.b: CIBJO guidelines and definitions are taken as best practice.
Naming ruleCoated [material name] ([coating material])
Disclosure requirementMust be disclosed. Coatings may be abraded, flake off or discolour, and coating is not a permanent enhancement; the coating material must be disclosed (e.g. Mystic Topaz is coated topaz), and the treated effect must not be implied to be natural.
Typical materials treatedTopaz (Mystic, Azotic coatings), diamond (CVD film), pearl (polymer coating), opal (resin coating)
Market differences and mutual recognitionGB/T 16552 is the only text here that lets some coatings through as an optimization: a colourless protective film on an organic gem, provided it is annotated. A coloured film, or any film on a mineral gem or jade, is a treatment. In the CIBJO Gemstone Book 2022, lacquering, enamelling, inking and foiling all fall under the one description “Coated”.

Materials on which it is recorded

How lab reports word it, by material

The standard report wording (LMHC) for this treatment is set out on these entries and sections:

The laboratory testing page's LMHC index lists every LMHC information sheet on report wording.

Care after this treatment

The CIBJO Gemstone Book §6.2 names this treatment in its special care: special-care code n.

CIBJO definitions

Coating

a layer of a substance spread over the surface, or part of the surface, of a stone for protection, colouration, decoration or deception; a covering layer. See clause 4.2.5.2.

CIBJO Blue Book — Official Gemstone Book (Coloured Stone Commission 2022) (CIBJO): §5.14, p.21

an artificial layer of any natural or artificial substance spread over the surface, or part of the surface, of natural pearls and cultured pearls for protection, colouration, increased lustre and other optical phenomena (orient and overtone), decoration or to alter their appearance; a covering layer.

CIBJO Blue Book — Pearl Book (Pearl Commission 2024-1) (CIBJO): §5.44, p.26

an artificial layer of any natural or artificial substance spread over the surface, or part of the surface, of coral for protection, colouration, increased lustre, decoration or to alter their appearance; a covering layer.

CIBJO Blue Book — Coral Book (Coral Commission 2024) (CIBJO): §5.21, p.12

The books word this differently; each wording is given with its source.

Foiling

the application of a very thin layer of highly reflective metal applied to all or part of the pavilion side or at the back of a gemstone with the intent of reflecting light back to the viewer’s eye. This reflective surface can be "mirror like" and possibly coloured.

CIBJO Blue Book — Official Gemstone Book (Coloured Stone Commission 2022) (CIBJO): §5.32, p.23

Definitions are quoted verbatim from the cited CIBJO Blue Book; […] marks an excerpt, and the full definition is at the cited clause.

Materials listed for this method in GB/T 16552-2017 Table B.1

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Material (row)MethodEffectCategory
DiamondCoatingChanges colour and other aspects of appearanceTreatment
EmeraldCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
BerylCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
TourmalineCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
TopazCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Rock CrystalCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
FeldsparCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Zoisite (Tanzanite)CoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Feicui, JadeiteCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
OpalCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
MarbleCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
FluoriteCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
TalcCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Chicken-blood StoneCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Shoushan StoneCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Qingtian StoneCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Balin StoneCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Changhua StoneCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
Mica JadeCoatingImproves or changes lustre, colour and other aspects of appearanceTreatment
CoralCoatingImproves or changes lustre, colour and other aspects of appearanceGraded — see §5.4.1, Table 1
AmberCoatingImproves or changes lustre, colour and other aspects of appearanceGraded — see §5.4.1, Table 1
Mammoth IvoryCoatingImproves or changes lustre, colour and other aspects of appearanceGraded — see §5.4.1, Table 1
ShellCoatingImproves or changes lustre, colour and other aspects of appearanceGraded — see §5.4.1, Table 1

JJA/AGL table entries relating to this treatment

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Gem nameColourAs written in the tableEntry on this sitePage
Diamondany colourcoatingDiamondp.14
Emeraldgreen (chromium)coatingEmeraldp.16

Other treatments

Sources

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AuthorityDocumentVersionClauseSource
GB/TGB/T 16552-20172017§5.4.1Source
GB/TGB/T 16552-20172017Table 1Source
GB/TGB/T 16552-20172017§5.4.2.1Source
GB/TGB/T 16552-20172017§5.4.2.2Source
CIBJOCIBJO Gemstone Book2022§5.14Source
CIBJOCIBJO Gemstone Book2022§4.2.5.2Source
CIBJOCIBJO Gemstone Book2022Annex B, clause 7.2Source
FTC16 C.F.R. Part 23§23.24Source
JJA/AGLJJA/AGL definitions and nomenclature for gems (Japanese-language document, no official English title)issued January 2015, revised November 2025§1-2-1Source
JJA/AGLJJA/AGL definitions and nomenclature for gems (Japanese-language document, no official English title)issued January 2015, revised November 2025§2-1-1Source
AGTAAGTA Gemstone Information Manual17th edition, August 2026p.V (C)Source
AGTAAGTA Gemstone Information Manual17th edition, August 2026p.IIISource
Gem-AGem-A By-Laws §7 Code of Practice (Gem Code)2009 revision§7.e.iiiSource
Gem-AGem-A By-Laws §7 Code of Practice (Gem Code)2009 revision§7.bSource

What the eye can and cannot tell

Every coating sits on the surface and wears away with use; coatings are inherently non-permanent. Mystic and Azotic topaz, CVD film on diamond, polymer-coated pearl and resin-coated opal are the usual cases; what the film is made of is not something the eye reports.

What to ask for on the report

An invoice that says Mystic or Azotic has named a brand, not a substance. The naming pattern reserves a slot for the substance, so ask which material the film is made of.

Before you buy: what to check

Work through these in order before paying. None of them replaces a laboratory report; they decide whether you need one.

  1. Every coating sits on the surface and wears away with use; coatings are inherently non-permanent. Mystic and Azotic topaz, CVD film on diamond, polymer-coated pearl and resin-coated opal are the usual cases; what the film is made of is not something the eye reports.
  2. An invoice that says Mystic or Azotic has named a brand, not a substance. The naming pattern reserves a slot for the substance, so ask which material the film is made of.
  3. Must be disclosed. Coatings may be abraded, flake off or discolour, and coating is not a permanent enhancement; the coating material must be disclosed (e.g. Mystic Topaz is coated topaz), and the treated effect must not be implied to be natural.

Questions about this treatment?

Disclosure practice for this treatment differs between authorities and markets, and a report does not always say what was done.

Ask about this treatment in the community forum